March 2011
an art which
accepts its own blindness and its own excessiveness; an art which truly “aims” at no thing other than an art which is honest; an art which is awakened to the comedy of existence, which affirms its appearance as its essence since there is nothing else so “graspable” as what is offered as appearance; “a mocking, light, fleeting, divinely untroubled, divinely artificial art” —...
